LESS THAN JAKE

Channel 93.3's Throwback Lunch & Twist and Shout Present

LESS THAN JAKE

Red City Radio, Protagonist

Mon Oct 9

Doors: 7:00 pm / Show: 7:30 pm

Fox Theatre

$20.00

This event is all ages

Ages 15+ without a parent

All tickets are non-exchangeable and non-refundable following purchase

Listed price does not include tax and service charge

NO BAGS

Less Than Jake
Less Than Jake
Less Than Jake are back!
"But they never went anywhere," you protest. Well reader, in that sense you are correct. But this fall they're not only serving up their first full-length in five years, but—after more than two decades together—also embracing a total bads to basics approach.
Throughout a career that has run the gamut from self-releases and small indie imprints to large independent labels and major music conglomerates, the band has always been more than the sum of its parts. Now more than ever, though, they espouse their stature as a DIY collective that works together—or at least in tandem with a few trusted allies—on every element of their creative output. Drummer Vinnie Fiorello recalls, "We started out very internal, and nowadays we handle a lot internally again. " The result of their old school approach is the old school sound of See The Light, created without any external meddling from corporate lackeys. "Everyone had their alone time with chords and some quick structures; we all put our ideas down before we got together," says Vinnie. "Then we sat at an octagon table in our warehouse and went through: this is what we think about this song, maybe we should . it ska, maybe we should do it punk—true band songwriting in essence."
Not only was the songwriting a true group effort, but—like the three EPs the band have released since 2008's long-player GNV FLA—so was the actual recording of See The Light, which was tracked entirely at Gainesville, The Moathouse, owned by LTJ bassist Roger Lima, who took lead production duties with communal input and assistance from his four band mates and live sound engineer.
"Roger has been recording our demos since the beginning of the band and steadily has worked his way up learning about studios from everyone we've worked with in the past," says trombone player Buddy Schaub. With no ticking clock and no studio fees piling up, the band used their breathing room to create somewhat of a rarity in today, prefab music world: a full-length album that gels as a complete thought, lyrically and musically. Buddy adds, "I think this is one of the closest representations of our band to date. We're all really excited for this record to get out into the world and we can't wait to hear what people think!"
Like 2000's release Borders and Boundaries, the new record was mixed at the famed Blasting Room by punk rock legend Bill Stevenson (Descendents, Black Flag) and Jason Livermore, but dont let that lead you to believe that there's anything same-ish about S. The Light. "If you're expecting retreads and repeats, this record will disappoint," exclaims Roger. "It, all new songs and new vibes only recorded in our old school way."
While some other bands of a certain vintage are latching onto musical trends, you won't find any dubstep beats or vocoder distortion on See The Light—a title that nods to the band, history of marrying dark lyrical content (the tunnel) to bouncy musical arrangements (the light at the end). Less Than Jake aren't turning away from their roots, and echoing Mark Twain, Fiorello points out that the rumors regarding their genre, demise are greatly exaggerated: "Punk has been declared dead every year for 30+ years and it's still going stronger than ever. People like to declare things dead just because it, dead to them, but if bands are passionate about what they're doing, they'll attract fans who are passionate.° As fits a band born long enough ago to now be of legal drinking age, Less Than Jake pulls in a multi-generational audience, which Vinnie notes is often a family affair. "Our crowd now is 16 to 40, and I've met Icids as young as eight or nine. Dads bring their sons and it's a weird rite of passage; moms bring kids in saying, 'We've watched you guys for 15 years.' But will the band stick around long enough to draw in a third generation of fans, "I don't know man. I think our guys on that would be NOFX and Bad Religion. When you see Fat Mike or Bad Religion hang it up, maybe: but like them, we're gonna ride that .4."We're glad to be along for the ride. Hop on board when See The Light sees the light on November
Red City Radio
Red City Radio
If, as the saying goes, life is less what happens to you and more how you deal with it, RED CITY RADIO have succeeded in spades, insatiable in their heart and singular focus.

Since forming in 2009 in Oklahoma City, Red City Radio have proven their punk-rock proficiency, turning in beloved albums (2011’s The Dangers of Standing Still and 2013’s Titles) and winning over fans around with the world with a sweat-soaked, raved-about live show honed by years of touring along acts like Strung Out, New Found Glory, and Anti-Flag.

But the band— Garrett Dale, guitarist Ryan Donovan, drummer Dallas Tidwell and bassist Jonathan “Jojo” Knight—are evolving, both professionally and personally: Red City Radio marks the group’s first album for Staple Records (after years spent with Paper + Plastick)




The new contrast between Dale’s gruff tenor (now the sole lead voice) and an increasingly rock-based musicality gives Red City Radio an innately fascinating dynamic. As such, songs like the power pop-leaning “Two Out Of Three Ain’t Rad” and slow-burning, country-tinged “… I’ll Catch A Ride” showcase the band’s newfound versatility and expand the definition of just what a Red City Radio song can—and should—sound like.

It’s this nuance and nimbleness that makes Red City Radio such a stirring listen. Named one of the most anticipated albums of 2015 by Fuse and VICE - hailed by outlets like PunkNews, also receiving 4 out of 5 stars from Rolling Stone, the album isn’t wholesale change, but rather the sound of a band expanding its influence and stepping outside itself to keep pushing forward. A sound once reminiscent of punk stalwarts like Hot Water Music has now swelled to include hooky rock á la Foo Fighters and Jimmy Eat World, and even Dale’s love of country.
Protagonist
Protagonist
Used by John Denver Stanley (Stano) for his musical projects/collaborations (e.g. with Donal Ruane and Sean Devitt).
Venue Information:
Fox Theatre
1135 13th St
Boulder, CO, 80302
http://www.foxtheatre.com