THRIFTWORKS

The Fox Theatre Presents

THRIFTWORKS

Marvel Years, Jaw Gems

Fri Oct 6

Doors: 8:30 pm / Show: 9:00 pm

Fox Theatre

$10.00 - $18.00

This event is all ages

Ages 15+ without a parent

All tickets are non-exchangeable and non-refundable following purchase

Listed price does not include tax and service charge

Price is the same online, over the phone, or in the Box Office.

NO BAGS

Thriftworks
Thriftworks
Berkeley, California based producer Thriftworks offers his own uniquely original take on forward thinking electronic music, weaving eclectic samples and explosive modern bass that continually pushes the envelope while taking the art of beat-crafting to new heights. Garnering much praise from fans and critics alike with his steady stream of new material, Thriftworks is quickly becoming known as one of the finest up and coming experimental producers with his outside the box sound and unclassifiable style. Thriftworks’ use of deep low-end and wall to wall synths seem to channel something ancient and mysterious, offering up an intoxicating musical high with an invigorating breath of fresh air. These sounds activate the senses, enrapture the mind, move the body and leave audiences begging for more.
Marvel Years
Marvel Years
Cory Wythe, the producer and guitarist better known as Marvel Years, has found a welcome place for himself within the increasingly popular glitch-hop / electro-soul dance music scene. In just a short period of time, his progression has become outright impossible to ignore. Much more than your average DJ/producer, Marvel Years is an incredible guitarist that shreds well beyond his years. His approach to blending electronic beats and shredding soulful guitar on his original tracks and remixes creates a sound that is a unique hybrid of EDM combing glitch, retro-funk, classic rock, soul, jazz and hip-hop. “Classic rock has been a huge influence on me,” Wythe explains. “I love breathing new life into those older songs. I think that’s a good medium for bringing new listeners into my music because they can relate to that stuff. I improvise (on live guitar) over a lot of my stuff.”

While Marvel Years continues to make a name for himself, it was inevitable that he caught the attention of other prominent artists in the scene. His very first-ever live performance supporting Pretty Lights in Boston, MA (July 2013) has only been followed with an impressive amount of success and opportunities. In August 2013 he made a surprise guest appearance performing two of his tracks along side Mikey Thunder at Pretty Lights sold out Red Rocks show. Later that year, he was invited to hit the road on a multi-week bus tour as support for GRiZ’s Rebal Era Tour. Then, in the fall of 2013, Cory was offered an opportunity to do an official remix for Pretty Lights – “Where I’m Trying To Go” that was released on December 10 on ‘A Color Map of the Sun Remixes‘.

Spring 2014, Marvel Years embarked on his first ever national tour (along with fellow up-and-comers Krooked Drivers and Muzzy) playing smaller venues and clubs in fourteen new markets on the “Retro Electro Tour”. Later that year he was invited to join The Floozies and Exmag on the “Back On It Tour”. Additionally, he was added to an impressive number of events and festivals where he captured the attention of new listeners with his increasingly popular and fresh sound.

2015 continues to provide an incredible amount of opportunity for the constantly evolving artist. In January, he blew the audience away at the Best Buy Theater in New York City supporting another one of his biggest influences – Gramatik. His calendar stays full as he has been and is scheduled to play with artists such as Manic Focus, Break Science, and Exmag. Just recently, he performed a set supporting a near sold-out House of Blues Chicago show – in addition to performing as the guitarist for the debut of the headlining act, Manic Focus Live Band.

Marvel Years is a kid with a dream, the talent, and the drive to make big moves… and those paying attention are witnessing history. His releases, impossible not to love, are primed and ready to help you forget your troubles and drift you into a happier state of mind. Keep your eye on this fresh artist who has those smooth funky grooves on lock and become marveled yourself.
Jaw Gems
Jaw Gems
Jaw Gems, an electronic outfit from Portland, Maine, is a collective of young, experimental producers bringing beat-music – traditionally programmed and played on samplers – to a live band setting. The mesmerizing result is a harmonic convergence.
Combine legendary beat-makers like J Dilla and Flying Lotus with indie rock and electronic icons like Deerhunter and Washed Out, then add Radiohead’s dreamy ambience and you begin to approach the sound of Jaw Gems.

“Dilla is the common thread for how we all met and began playing together,” says keyboardist Hassan Muhammad. “Not many people in Portland knew about him seven years ago, so through various friends we were all pointed out to each other and we were blessed with the opportunity to hold a weekly residency at a bar, playing all the stuff we liked and getting increasingly weird.”

Since their start in 2009, the band has been exploring sonic and rhythmic ideas that emphasize interlaced melodies and heavy grooves. First outfitted solely with dueling vintage synthesizers, a drummer, and an electric bassist, Jaw Gems have now incorporated a Roland sp404 and the Juno 106 analog synth, going on to employ the beat- repeating, sample-warping technologies of the present to help create their wall of sound. Armed with new gear, Jaw Gems were able to evolve their beats, trigger intricate samples, and alter sounds in an increasingly advanced way. “You can do so much with these devices, and we all have our own ways of using them,” says bassist Andrew Scherzer.

“In August of 2016, Jaw Gems delivered their second album, HEATWEAVER, via STS9’s 1320 Records. The 14-tracks create a thickly layered transcendental auditory world – a meticulously crafted collection grounded in a modern electronic aesthetic. HEATWEAVER melds neck-breaking, hip-hop synthesizers and nostalgic atmospheres, while simultaneously touching on elements of psychedelic funk, neo-soul, and punk rock.” Jaw Gems likes to keep their recording process relaxed to allow for creative diversity.

Setting up shop in a makeshift home studio, the band hunkers down and lets their songs come to life. “We like to make a retreat out if it,” says drummer DJ Moore, noting that all of the musicians have been involved in other projects. “Making music is how we chill, and the album naturally unfolded once we were all committed to being in the same place together for some time.” The title itself came from thinking of the album visually. “We thought about what images the music evoked throughout the whole process, and when someone said “heat weaver,” we all felt it embodied our sound,” he says.

Put four beatmakers in a room together for a week, and the outpouring of ideas could be endless. “As we develop as individual musicians each of our sounds morph and evolve in different ways, so when we come together to record we all bring something new to build upon,” Moore says. “Our creative process is never the same,” says keyboardist and sampler Tyler Quist. “We tend to refine our ideas in rehearsal, figuring out how to play them as a band, but most of our ideas start off as a beat one of us made. On HEATWEAVER, we let some of our beats stay in a more bedroom beat format, and others we revamped to sound a lot more live.” In this case, Jaw Gems was left with a solid compilation attesting to their evolution as tenacious genre-bending producers. “Jaw Gems have done the magic trick of delivering a thoroughly listenable instrumental album that you can also sing along to,” says electronic musician Daedelus.

Perhaps it’s this uninhibited sound that has also attracted the likes of other notable musicians. T3 of J Dilla’s Slum Village calls HEATWEAVER “mad fresh.” Lettuce drummer Adam Deitch says, “The swing that J Dilla made famous on an MPC beat machine in the late ‘90s is embedded in Jaw Gems’ musical DNA, just as much as soul and funk. They have created a psychedelic, jazz-rooted, West African feeling.”

Lyle Divinsky of Colorado’s The Motet has declared them his “new favorite band” and describes their sound as “a completely unique brew of hip-hop, jazz, funk, avant-garde, and classical music, steeped in originality and psychedelia.”

Since the release of their debut album, Blades Plural, Jaw Gems has gone on to share stages with icons such as Flying Lotus at L.A’s legendary Low End Theory, STS9, Lettuce, Daedelus, and many more. Visit JAWGEMS.COM to join their mailing list and stay in the loop about upcoming tour dates.
Venue Information:
Fox Theatre
1135 13th St
Boulder, CO, 80302
http://www.foxtheatre.com