THE RAILSPLITTERS + FRONT COUNTRY

Boulder Weekly Presents

THE RAILSPLITTERS + FRONT COUNTRY

Caribou Mountain Collective

Wed Apr 19

Doors: 8:00 pm / Show: 8:30 pm

Fox Theatre

$12.00 - $14.00

This event is all ages

Ages 15+ without a parent

All tickets are non-exchangeable and non-refundable following purchase

Listed price does not include tax and service charge

Prices are the same Online, Over the phone or at our Box Office. 

NO BAGS

The Railsplitters
The Railsplitters
Fresh off the success of their first album, and taking first place in Rockygrass’ Best New Band Competition, Colorado natives, The Railsplitters got busy touring the US, meeting wider audiences, and of course, spending hours in the tour van! As you can imagine from five members traveling across the United States, the musical array pouring out of the van onto the open highway was wildly eclectic, crossing over genre and time. From boundary breaking trip hop and electronica groups like Gorillaz and Thievery Corporation, to more direct influences like The Infamous Stringdusters and Lake Street Dive, the musical potpourri heard in their time on the road eventually began to seep into the band’s own music. With their new album, The Faster It Goes, they’re using these new sounds to break the bonds of bluegrass and unleash tradition. Lauren Stovall and the rest of the ‘Splitters suggest that using your roots to evolve is really at the heart of the genre, not unlike Bill Monroe, who himself was an innovator. With their finger on the pulse, The Railsplitters are pushing the genre forward with an adventurous spirit, carrying in the tradition of breaking boundaries with their innovative sound.

The Railsplitters’ secret weapon is two-fold: first, the innovative imagination of banjo player Dusty Rider’s songwriting, who writes with the full band in mind, imagining an entire song in his head before it’s even heard it out loud. Second, the powerfully distinct vocals of Lauren Stovall whose voice is as clean as Emmylou, as cutting as Allison Krauss, and carrying some of the attitude of Dolly herself. Lauren’s vocal lines fill The Railsplitters’ sound with something distinct and undeniable. In addition, part of The Railsplitters’ new color is brought on by the band’s newest member, Joe D'Esposito, whose New England-influenced fiddling adds new directions to the band’s sound. With masterfully executed mandolin and banjo by Peter Sharpe and Dusty Rider, and well supported by upright bassist Leslie Ziegler’s innovative style, The Faster It Goes testifies to The Railsplitters’ multipolar and collaborative songwriting, giving voice to the impressive talents of its members and a cohesive character to the sound.

From the first track, “Tilt-A-Whirl,” it’s clear the The Faster It Goes is exploring modern speeds: “My mind is like an old Tilt-A-Whirl, it never seems to stop, not even for this girl.” With the foot-stomping drive of a reworked traditional tune like, “Salt Salt Sea,” or the complex harmony and aggressive rhythms in “It’s A Little Late,” The Railsplitters are trying to keep up with life, the faster, and faster it goes. While these songs pack an edge and highlight the band’s progression into more pop-influenced numbers, The Railsplitters know that life isn’t only lived in the fast lane, taking a few moments to unwind with earthy tracks like “The Estuary,” which pays tribute to their musical mountain roots, and the album’s hidden track, “Sweet Little Miss Blue Eyes.”

Though they operate with the instrumentation of a bluegrass band, The Railsplitters are making music totally unlimited by tradition. This is music for the open road, the open dance floor, and open ears--music of the American West, made for all.
Front Country
Front Country
An acoustic band born in the land of tech innovation, Front Country was never going to be accepted as an authentic American roots band out of the gate. Cutting their teeth in progressive bluegrass jams in San Francisco’s Mission District and rehearsing in the East Bay, they learned to play roots music their own way, with the tools they had on hand. A mandolinist with a degree in composition and classical guitar. A guitarist trained in rock and world music. A bassist equally versed in jazz and bluegrass. A violinist with technique that could seamlessly hop between honky tonk and electropop. A female lead singer with grit and soul that was also a multi-instrumentalist and songwriter. In a wood-paneled country dive bar in the shadow of the San Francisco skyline, Front Country forged a sound hell bent on merging the musical past with the future.

Front Country’s sophomore release Other Love Songs is their Roots Pop opus. A graduation from mere concept to a high-speed rail line traveling at breakneck speed with the listener able to walk to the back of the train and look out at a distant but constant glimmer of the past. While their ultimate goal is musical space exploration, the technology of Front Country’s sound has evolved significantly in their five short years as a band, all while maintaining a tool kit of wooden string band instruments. Like a carpenter building a rocket ship, there is a whimsy to Front Country’s perspective that takes an active, imaginative listener to appreciate. It’s not a sound based on current trends of what any mainstream audience has asked for, it is a new perspective looking to find a new audience. Creating one’s own audience from the ground up is never an easy path, but if successful, several decades later, the reward is worth the risk and the journey is its own reward.
Caribou Mountain Collective
Caribou Mountain Collective
Caribou Mountain Collective is a quartet from Nederland, Colorado. Their extensive original repertoire channels the rich traditions of both Appalachia and Colorado bluegrass. Their original lyrics and instrumental compositions present unique facets into americana. C.M.C. represents the next step in an ongoing revolution of roots music.

Though only together for two years, the C.M.C. has already established a strong presence in the music scene. Dobro player Allen Cooke was awarded first place at the 2013 Rockygrass dobro competition. Bassist Curly Collins brings his remarkable stage presence and industry expertise from his five years with Mountain Standard Time. Guitarist Miles Perry masterfully embodies the mountain heritage in his catalog of original works. Their instrumental expertise shines through Miles' songs to present a captivating new approach to a classic sound.
Venue Information:
Fox Theatre
1135 13th St
Boulder, CO, 80302
http://www.foxtheatre.com