ALICE GLASS - SNOWBLOOD TOUR

Westword and Twist & Shout Present

ALICE GLASS - SNOWBLOOD TOUR

Zola Jesus, Pictureplane

Sat May 5

Doors: 8:30 pm / Show: 9:00 pm

Fox Theatre

$20.00 - $25.00

This event is all ages

Ages 15+ without a parent

All tickets are non-exchangeable and non-refundable following purchase

Listed price does not include tax and service charge

Price is the same online, over the phone, or in the Box Office.

NO BAGS

Alice Glass
Alice Glass
Alice Glass is a songwriter and vocalist. The founding vocalist and songwriter of the duo Crystal Castles, Glass left the band in 2014. Her debut solo EP, Alice Glass, was released in 2017 to great critical acclaim from the likes of The New York Times, Pitchfork, Entertainment Weekly, NYLON, SPIN, Vice and many more. Glass performed her first solo concerts to much praise last fall, including several dates opening for Marilyn Manson. A globally-recognized fashion icon, Glass has appeared in campaigns for the likes of Alexander Wang. Further new music from Glass is forthcoming.
Zola Jesus
Zola Jesus
For over a decade, Nika Roza Danilova has been recording music as Zola Jesus. She’s been on Sacred Bones Records for most of that time, and Okovi marks her reunion with the label.

Fittingly, the 11 electronics-driven songs on Okovi share musical DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova’s longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from Pedestrian Deposit, and percussionist Ted Byrnes all helped build Okovi’s textural universe.

With Okovi, Zola Jesus has crafted a profound meditation on loss and reconciliation that stands tall alongside the major works of its genre. The album speaks of tragedy with great wisdom and clarity. Its songs plumb dark depths, but they reflect light as well.

ARTIST STATEMENT:

Last year, I moved back to the woods in Wisconsin where I was raised. I built a little house just steps away from where my dilapidated childhood tree fort is slowly recombining into earth. Okovi was fed by this return to roots and several very personal traumas.

While writing Okovi, I endured people very close to me trying to die, and others trying desperately not to. Meanwhile, I was fighting through a haze so thick I wasn’t sure I’d find my way to the other side. Death, in all of its masks, has been encircling everyone I love, and with it the questions of legacy, worth, and will.

Okovi is a Slavic word for shackles. We’re all shackled to something—to life, to death, to bodies, to minds, to illness, to people, to birthright, to duty. Each of us born with a unique debt, and we have until we die to pay it back. Without this cost, what gives us the right to live? And moreover, what gives us the right to die? Are we really even free to choose?

This album is a deeply personal snapshot of loss, reconciliation, and a sympathy for the chains that keep us all grounded to the unforgiving laws of nature. To bring it to life, I decided to enlist the help of Alex DeGroot, who has been the only constant in my live band and helped mix the Stridulum EP back in 2010. It will be released on Sacred Bones, the closest group of people I’ll ever have to blood-bound family.
Pictureplane
Pictureplane
Travis Egedy, a.k.a. Pictureplane, made his name chasing unpopular realities and alternate truths across various media. His gallery works, shown on both sides of the pond, collide familiar with fringe. His Alien Body clothing line offers a stylized study of symbology, the occult, and societal decay. And his music - blissed yet shadowy, swirling up vintage strains of house, hip-hop, and noise - treats electronics not as uncannily artificial, but as extensions of our more magical selves. One could, if one was open to such things, visualize the Brooklyn-based artist's albums and their wild live performances as pathways to a rarer form of realness. Because while the Good Show tells us to "Trust No One," exceptions are granted to men with X-Files tattoos.

Egedy came into his own while in Denver, Colorado. He had been pursuing a BFA in painting at Rocky Mountain College of Art + Design, but his day-to-day existence had become the medium. He lived in the legendary Rhinoceropolis warehouse, and helped convert that junkyard-adjacent DIY venue into the hub for the city's expanding art-punk underground. In that space, his music evolved fast, and Pictureplane was born into a dank stew of harsh sounds, sub-standard living, outsider art, scavenged furnishings, weird smells, and magnificent openness. By the time his remix of HEALTH's "Lost Time" hit the blogosphere, Egedy had grown into a sound: raw, moody dance-pop addled by rap rhythms and augmented by airy vocals. In 2009, he dropped his official debut, Dark Rift, on Lovepump United, along with a song whose title spoke volumes: "Goth Star." By the year's end, in a stroke of tongue-in-cheek genius, he coined the term "witch house" to describe the upwelling of dark EDM owing nearly equally to legacies of Psychic TV and C+C Music Factory.

In 2011, Pictureplane's Thee Physical arrived, marking a major leap forward both sonically - Egedy's voice dripping sex at the forefront of an emotive technoscape - and thematically: tracks like "Trancegender" and "Breath Work" explore sensuality and the human body with gender-dissolving aplomb. Egedy moved to Brooklyn in 2012 in order to stoke alt-rave culture from a more powerful vantage. He has since toured with Crystal Castles and Major Lazer, headlined independent fests in Europe, remixed the likes of Lil B, been remixed by Grimes, made beats for Antwon and Sole, and churned out a stream of self-releases (I.E. Thee Negative Slave Mixtape). In 2015, Pictureplane teams with Anticon to release his long-awaited next LP.
Venue Information:
Fox Theatre
1135 13th St
Boulder, CO, 80302
http://www.foxtheatre.com