95.7 The Party Presents
SOLD OUT: JULIA MICHAELS
Tue Apr 2
Doors: 7:00 pm / Show: 8:00 pm
$20.00 - $25.00
This event is all ages
*Note - upgrade packages do not include a ticket, tickets must be purchased separately*
Ages 15+ without a parent
All tickets are non-exchangeable and non-refundable following purchase
Listed price does not include tax and service charge
Price is the same online, over the phone, or in the Box Office.
All tickets are General Admission (GA) with limited seating available. If you require accessible seating or other accommodations, please purchase your GA tickets and reach out to Daniel@z2ent.com to help us make your visit as enjoyable as possible.https://www.foxtheatre.com/event/1810545/
“I try to put as much of myself as possible into everything I write,” she affirms. “It’s all me.”
Unabashed honesty and warm vulnerability turned the Los Angeles-based singer, songwriter, and performer into 2017’s biggest global breakout star. Audiences first properly experienced her unbridled emotional artistry on the 2016 debut single “Issues.” Certified RIAA double-platinum stateside, it crossed worldwide consumption of 5 million in less than six months and became “the best-selling song by a new artist released in 2017”—according to Nielsen Music—as well as the “highest on-demand audio streaming song by a new artist released in 2017.” That same honesty also defines her very first “mini-album,” Nervous System [Republic Records]. With these seven tracks, she fortifies her emotional bond with millions of listeners everywhere.
“A lot of my songs have to do with the nervous system and things that are stimulated by touch and emotion,” she explains. “One day, the title just popped into my head. It made sense with how emotional the songs I’ve written are and who I am. Of course, I personally am a fucking nervous system as well, so there’s that,” she laughs.
As “Issues” achieved stratospheric success, she quietly assembled what would become the “mini-album,” writing and producing alongside frequent collaborators such as Mattman & Robin [Britney Spears, Gwen Stefani, Hailee Steinfeld], Justin Tranter [Justin Bieber, Selena Gomez], and more in L.A. In addition to “Issues,” the follow-up single “Uh Huh”—which earned early praise from Time, V Magazine, and many others—paved the way for the release of Nervous System. Slipping from acoustic guitar into a rush of electronic production and a chantable chorus, the track captures a fleeting and fiery moment.
“It’s about wanting the person you want to make the move,” she explains. “He hasn’t yet, so you’re like, ‘Shit, should I just do it myself?’ You don’t know how he feels though. It’s this weird tension. When that move does happen, it’s the most magical and pure feeling in the world. That’s something we can all relate to.”
Delicate piano and skittering synths entwine with her soulful delivery on “Worst In Me.” Originally culled from a voice note on her phone, the song sees Julia open up about a failed relationship.
“I wrote it about my ex-boyfriend,” she admits. “It chronicles our downfall and why we couldn’t work. Sometimes people are so afraid of something really good that they sabotage the relationship because they think it can’t be real. All of these little tiny things manifest into problems. You lose the bigger picture, which is that you love each other and genuinely care.”
Elsewhere, off-beat percussion drives “Make It Up To You” where she candidly confesses, “I wish I could be the tender stable girl that you want—but I’m not.” Further exploring the dissolution of this pivotal relationship in her life, “Just Do It” discusses what the artist calls, “The moment you’re on the verge of a breakup, but just can’t end it.”
The clever and coy “Pink” showcases another side of Nervous System and Julia. Tempering a rich sonic backdrop with lyrical double entendre, you might find yourself smiling after each verse.
“It’s pretty self-explanatory,” she grins. “I don’t know how to describe it without it sounding extremely sexual!”
Nervous System concludes with “Don’t Wanna Think.” Performed on piano and written solely by Julia, it stands out as a shining finale, conveying raw and real emotion over each chord between sips of tequila.
“I wrote that one alone,” she recalls. “As you can see, my ex and I had a very toxic relationship. I was at the piano drinking tequila at Henson Studios in Hollywood. It’s going to sound crazy, but sometimes I feel like I write my future. I write about things as if they’re going to happen. When they happen, it’s a completely different perspective. What you hear is just me at the piano singing and crying. It’s the most special song I’ve written. I can’t wait for everyone to hear it.”
Nervous System continues a tradition of honesty that Julia began as one of pop music’s most in-demand songwriters. Emerging in 2013, she solidified herself as a prolific force, co-writing a string of Billboard Hot 100 hits alongside Tranter, including smashes like Justin Bieber’s “Sorry,” Nick Jonas ft. Tove Lo “Close,” Selena Gomez’s “Good for You” [feat. A$AP Rocky] & “Hands To Myself,” Hailee Steinfeld “Love Myself,” Britney Spears “Slumber Party,” Gwen Stefani “Used To Love You” and, most recently, Selena Gomez’s “Bad Liar,” Ed Sheeran’s “Dive,” and John Legend’s “Surefire.” The cumulative worldwide stream count for songs she has co-written exceeds 10 billion to date.
In the end, Julia will always connect by just being herself. Nervous System is proof.
“I hope people can find a little bit of themselves in the music,” she leaves off. “There’s nothing fake about this. Every word is part of my life. I hope you can find your own perspective in it.”
Every so often Raffoul would get a gig singing demos for hire. “Just getting paid hourly to be the vocalist,”he explains. “One day I went into the studio to sing on some Kid Rock demos. The guys heard my voice in the booth and asked if I had any original stuff. I played them two acoustic songs. They shot an iPhone video and sent it to my now-manager, who used to work with Kid Rock. The next day we drove down to Nashville.”Raffoul now splits his time between Nashville and Los Angeles where, in between playing shows, he has been collaborating with other songwriters and slowly but surely assembling his debut album. “Since it’s my first record it feels like I’ve been writing it my whole life,” he jokes. In addition to “Driver,” Raffoul is proud of another new song called “I’m Not A Saint,” which emerged from a conversation Raffoul had with his co-writer Julia Michaels. “We were talking about things we do or that we shouldn’t do, like swear too much, smoke too much, lie too much, and it just flowed from there,” Raffoul says.
“Forty-five minutes later it was done.”As he gears up to finish his debut album, Raffoul is also eager to tour and see the world. “I’m putting everything into this record," he says, "but I want to build my career on the live show. I want to be a true working musician." He knows that makes him sound like a traditionalist and he's fine with that. "It’s more of the old school way of doing things," he says. "But I think that even in this ever-changing music business there will always be a thirst for live performance and that’s what I want to do. That’s always been the goal. Connect with people, one room at a time.”
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